The RITUAL project invited several composers to create works that would bridge the spirit of club music with the language of contemporary composition. Aurés Moussong contributed the piece GN-∆lon for contrabass clarinet and electronics, performed by Ignat Krasikov, in...
Inspired by the reflective and melancholic tone of the poem, this piece unfolds as a lyrical meditation on longing and introspection. Premiered at the Orsegi Festival in Hungary, 2021. The original title, Questions, refers to the poem by Juhász Gyula.MilleniArt...
A piece for contrabass clarinet and tape conceived as a travel diary, inspired by the composer’s journey through the Middle East, where field recordings and electronic sounds form a landscape of memories through which the clarinet moves as a solitary narrator....
Premiered on April 13th, 2024 in Strasbourg, and later in Mexico on May 31st and June 1st, 2025, during the second season of the OFUNAM (National Autonomous University of Mexico's Philharmonic Orchestra), conducted by Sylvain Gasançon. In this orchestral work, sound...
Premiered by the Moscow Contemporary Music Ensemble at the 12th St. Petersburg International New Music Festival, held at the House of Radio on May 28th. Chahār Āstāne, a title that may be rendered as “four thresholds,” originates from a brief kemencheh variation of...
Performed at the Basel Composition Competition on January 30th, 2025, at Don Bosco Basel by the Kammerorchester Basel, conducted by Tito Ceccherini. Macabre Carnival stands as an act of reimagination of the intricate Mexican ritual, both funerary and festive,...
Music inspired by the world of the Epic of Gilgamesh, an ancient Sumerian poem tracing the journey of a king in search of immortality. Written for basson, percussion and synthesizer. Bassoon: Jonathan Stehney / Percussion: Dustin Donahue
Diptych is a work in two movements for piano and orchestra, where the piano moves through layers as it fluctuates from the soloist role to becoming part of the orchestral amalgam.